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canon c500 mark ii vs arri

canon c500 mark ii vs arri

He points out that he is choosing only the full-frame modes on the C500 because the 4K Super35 mode basically matches the spec of the C200. The EOS C500 Mark II almost looks like the love child of an EOS C200 and an EOS C700 FF. The resale value of that camera will now plummet. Now let’s get into the camera video specifications: ^C-Log 2 has the highest dynamic range. V-mount plate with P-tap output (only V2), Lens control for certain supported lenses (only V2), About $5,000-$7,500 savings in investment, Lighter setup because you don’t need full frame lenses, Putting together a camera package in a modular system. This is the first time Canon has really offered specifications in a lower-tier camera that are almost identical to that of their high-end cameras. If you use dual pixel AF, LUTs, etc., the consumption will be higher. The EOS C500 was announced way back in April 2012. The C500 Mark II has a user-changeable lockable Canon EF mount that can be changed over to PL or standard EF. It is also compatible with anamorphic lenses. If you’re using cine lenses or heavier zoom lenses then definitely yes. A 512GB SanDisk Extreme Pro CFexpress card has read speeds of up to 1,700 MB/s and write speeds of up to 1,400 MB/s. If I had to pick just one winner for myself, I’d pick the Canon C300 Mark III. Possible to maintain constant F-number during zoom. The camera is equipped with three DIGIC 5 processors. But if you do want to control the audio on the operator’s side you will need to have your audio plugged into input 3 or 4. I have a feeling we may end up seeing 8K evolve at a similar pace. B4 mount lens via adapter accessory (EF or PL), Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: x1.00 3840 X2160/1920 X 1080: x1.056 Super 35MM (Crop): 4096 X 2160/2048 X 1080: x1.460 3840 X 2160/1920 X 1080: x1.534 Super 16mm (Crop): 4096 X 2160/2048 X 1080: x2.920 3840 X 2160/1920 X1080: x3.069, Yes, User changeable to EF with Cinema Mount or PL, Up to 10 stops via built in ND filter system (in extended mode), EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses. We also use third-party cookies that help us analyze and understand how you use this website. The sensor supports readout at full size, as well as Super 35mm, and Super 16mm. Then pick the Canon C500 Mark II. 880 KB at 1920×1080. ARRI’s Pro Camera Accessories for the C500 Mark II are compatible with the C300 Mk3… Canon’s new-ish full-frame sensor (also offered on the C700 FF) gives filmmakers a more detailed image, with an even shallower depth of field. [-6dB,-3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB,48dB,51dB,54dB] [—] Displayed when ISO speed expansion is ON. The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic. We made sure to keep certain measurements the same, in order for users to be able to continue to use certain Cinema EOS and third party accessories that they’ve grown to rely on. A user changeable lens mount kit that changes the mount to an EF Cinema Lock Mount. Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. You only output 4K 60 fps via 12G-SDI. The EOS C500 Mark II is certainly priced very aggressively given its feature set, but at $16K it sits firmly in a price category that has been evaporating. (GP-E2 connection). Well, that isn’t possible, because that is where the optional module has to go. This could be a potential usability problem if you are shoulder mounting the camera. On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. : BNC jack, (output only, Camera Body). When the camera was shooting quad full-HD (3840 x 2160), 2K (2048 x 1080) or full HD (1920 x 1080) the output was downsampled rather than cropping the image. The BP-A30 (3100mAh) and high capacity BP-A60 (6200mAh) are dedicated Li-ion battery packs for compatible Canon cameras. At 3.9 lb it is only marginally heavier than the EOS C200 (3.2 lb). The Newsshooter forums have just launched. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. Unlike traditional RAW recording, Cinema RAW Light does not record in a frame-by-frame file structure. But opting out of some of these cookies may have an effect on your browsing experience. Necessary cookies are absolutely essential for the website to function properly. 3.5 mm stereo mini jack (output only, Camera Body). You will also have access to good customer service and service centres that can help you out. *As of this writing. A site for working professionals in the TV & Film industry. That's in the realm of a used Arri Amira. This is the first time a digital cinema camera has utilized this technology. In an effort to maintain the compact footprint for which Cinema EOS products are known, we are giving users the option to build the camera as they see fit, to make it as large or as small as they need, and setting forth a new era of modularity for the Cinema EOS line.”. If you’re just using Canon still lenses then probably not. Ye with optinal Expansion Unit EU-V1 and EU-V2. It is mandatory to procure user consent prior to running these cookies on your website. Despite the push for 8K, we haven’t seen many manufacturers go there. Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. This RAW signal was able to be recorded by the Convergent Design Odyssey 7Q and 7Q+, and more recently, some of the Atomos devices. MATT’S PICK: Canon C500 Mark II. The only big manufacturer that so far looks like it is taking small steps down that path is Panasonic. As a comparison the ARRI ALEXA LF Large Format Camera features a 36.7mm x 25.54mm sensor, the Sony VENICE uses a 36.2 x 24.1mm sensor, and the MONSTRO 8K VV sensor that can be found in the RED WEAPON and Panavision Millennium DXL2 is 40.96mm x 21.60mm. Clients do pay extra for color grading or DI, and there are decent enough budgets for: You will be working with enough margins to recoup the additional cost in just a matter of months. Thankfully both these cameras have changed that. MON. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Why choose CFexpress? The sensor can operate in three different modes: The sensor can operate in three different modes: What is big news when it comes to the sensor and how it works is the addition of 5-axis sensor stabilization. Still, this camera is a real bargain for a full-frame sensor cinema camera with Arri like color. Just to be clear, anytime you select the full-frame shooting mode on the EOS C500 Mark II and you are recording XF-AVC you are oversampling the 5.9K sensor. So, with the C500 Mark II, you are looking to purchase heavier, more expensive lenses to cover the full frame sensor that also resolve 6K and higher. Given that both the C500 Mark II and C300 Mark III share the exact same body, it is no surprise that they both weight 1.77 kg (3.9 lb). Shane Hulburt, ASC famously used the camera for night scenes for the movie Need for Speed. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution Approx. I´ve tried the C200 with Sigma 18-35 f1.8 and the 50-100 f1.8 a few times and I loved the image I got out of this combo, but the c200 raw is a bit too noisy for my liking, so the c300 mark III fixes that with DGO and adds the electronic image stabilization on top of that. The camera can record 5.9K at up to 60p, 4K, UHD, and 2K recording at up to 120p. You may be asking why didn’t Canon just go with ProRes RAW or Blackmagic RAW. Shooters who were traditionally buying cameras in this price range are now either buying sub $10K cameras, or they are renting more expensive options. Because the media recording slots are on the side of the camera and not at the back there is no room to put them on the operator’s side of the camera. In somewhat of a strange decision, Canon has put the audio controls for the C500 Mark II on the right-hand side of the camera. If the subject is out of focus the box will turn grey and the arrows will indicate which way to adjust the lens to regain focus. Each pixel in the camera’s CMOS sensor is configured with two photodiodes. A lot of shooters who were using traditional ENG broadcast cameras transitioned over to the F5 and F55 and those cameras are still being used extensively today. Amazingly, this is not mentioned in the Canon specs. In proportion you might be spending 50-60% over what you would be spending with the C300 Mark III. 15:37. 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P. For me the Canon C500 Mark II strikes a great balance here. The C500 Mark II is meant to bridge the gap between the C300 Mark II and the C700 series, as well as being a complementary camera to the C700 series. When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set. Canon eventually discontinued the EOS C500 and now you can find it listed in Canon’s Camera Museum! I also worry that Canon may have upset buyers of the EOS C700 FF. The EOS C500 Mark II is arguably just as good, if not better, at least on paper. The camera features the exact same sensor that is found in the EOS C700 FF. Via Ethernet connection. Dual Pixel Focus Guide presents the user with a rectangle in the centre of the EVF or monitor. Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 30 years' experience working in more than 50 countries around the world. carlosq00. No buttons or menus are on the CDX-36150 Codex recorder. It depends on the lenses you are going to use it with. The addition of Canon’s Cinema RAW Lite to the EOS C500 Mark II is interesting. For true anamorphic, the sensor needs to span at least 21.95mm x 18.6mm. of sensor, One-Shot AF, Continuous AF and AF-Boosted MF. So overall im very excited to go from my 3xSony A7III to this beast. Yes. 709 conversion LUT in post, the resulting images between the two cameras are almost too close to call the difference on. I like the C500 MK II a lot, but when you go all in with the rear EVF and an extra CFast Express card, the total comes to $19,000. 930 KB at 2048×1080; Approx. I asked Canon, Where does this camera fit in the Cinema EOS lineup and who is it being aimed at? BT.709 (Wide DR / BT.709 Gamut) LOG (Canon Log 2 / Cinema Gamut) HDR-PQ (HDR-PQ / BT.2020 Gamut) HDR-HLG (HDR-HLG / BT.2020 Gamut) USER5 to USER20 (Wide DR / BT.709 Gamut) * From BT.709, HDR-HLG is protected. Thanks for the article. In saying that, Canon has shown me that they are willing to cannibalize more expensive offerings to win back sales. “Form factor has been key to the success of the Cinema EOS line since the original C300. Phase, Gain and RGB adjustment, in tandem with Gamma selection, AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B), Area selection / area revision of two areas, (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual, Latitude/Longitude/Elevation, Coordinated Universal Time (UTC), Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B, YES. ^Canon RAW is actually Canon RAW Lite, written internally, at about 1/3 to 1/5th data rates. (*) Displayed when ISO speed expansion is OFF. In 2016, Canon dropped the price of the camera down to $6,999 USD. The C500 Mark II clears this easily, and outputs 6K, so even ‘chopped off’ anamorphic will deliver true 4K. Matthew has won 41 ACS Awards, including four prestigious Golden Tripods. With the modules attached you do have to remove the rear viewfinder, so that will force you to use the LCD touchscreen, or an external EVF or monitor. The somewhat comparable Sony FX9 is $11,000. A focus pre-set feature allows separate predetermined focus points to be selected, and when the SET button is pushed, the lens will move the focus from one mark to the other. This information is important to have when choosing full-frame lens for coverage on the EOS C500 Mark II. EF to PL mount (PM-V1) 3. With an image circle of 43.1mm, the C500 Mark II it is very similar to the Sony VENICE (43.14mm) and slightly smaller than the ARRI Alexa LF’s 44.71mm Open Gate. We'll assume you're ok with this, but you can opt-out if you wish. The E2 is an easy camera to use once you get it set up with either a monitor or EVF and a cage of some sort. Lighting an impossible street crowd scene with just two small LED lights. It’s a full frame camera with RAW workflow, both of which are in demand on high-end productions.”. The first module is not a recorder, it is essentially an audio and power box. A complete visual representation + video of the filmmaking process from beginning to end. Canon introduced a fascinating camera, although it’s probably going to cannibalize the C700. In 4K, the 422 HQ flavour is implemented and is supported up to 30 fps. At the end of the day as consumers, we really don’t have anything to complain about. and a height of 7 inches displaying 4K capture, The Canon C500!!!!. This applies to both cameras. Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable), Level 1; Level 2; BothOutput via HD-SDI or HDMI. DC 24V 2A jack Fischer 3-pin jack (output only), D-Tap connection, 50W maximum, REMOTE A connector 2.5 mm stereo mini-mini jack (input only) REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 or EU-V2, Yes, with optional EU-V1 and EU-V2. I asked Canon, How important was it for Canon to keep a similar design and form factor that previous Cinema EOS cameras have had? Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. The NEW #Canon #EOSC500MarkII features user changeable lens mounts which gives users the freedom to use the lenses they desire. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). By using the exact same body and same accessories as the C500 Mark II Canon would have significantly saved on development and manufacturing costs. The Top Plate for Canon C300 Mk III/C500 Mk II from ARRI enables you to add accessories like the RMB-3 Rod Bracket, the CCH-4 or CCH-2 Top Handle, the MVB-1 Mini Viewfinder Bracket or another EVF bracket, or other accessories to your C300 Mk III or C500 Mk II camera. This means you don’t have to go down to 2K or HD just to get high frame rates, and you can take advantage of all the possibilities of 4K. Unlike the EOS C700/C700 FF, EOS C300 Mark II, and EOS C200, the EOS C500 Mark II doesn’t record to Cfast 2.0 cards. From my point of view, the EOS C500 Mark II is going to appeal to those shooters who don’t want to spend money on a Sony VENICE, ARRI Alexa LF, Mini LF, or a RED Monstro, but want a camera that is better than an EOS C300 Mark II, Sony FS7 etc. The EVF-V70 viewfinder for the EOS C700 will work. 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting. Via body, grip, wireless control or wired remote. Original batteries only, from B&H. A lot of EOS C700 FF owners may be very upset with this release. The C200 is currently $6,499. A high resolution (1920×1080) OLED electronic viewfinder with a wide colour gamut and multiple controls. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. At the same time, Canon also announced the 1D C. I asked Canon, It has been almost 7 and a half years since the launch of the original EOS C500, why did Canon feel now was the right time to release the Mark II? These cookies do not store any personal information. Canon incorporated what they refer to as DGO (Dual gain Output) into the C300 Mark III. I wrote an article only a few weeks ago about the changing direction of the camera market, In that article, I wrote-. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. This system should certainly benefit anyone shooting handheld, especially with longer focal length lenses. Here’s the approximate increase in price over the C300 Mark III: *Taking Angenieux EZ-1 and EZ-2 as examples. This article illustrates the advantages which VMI believes offer the cinematographer over similar cameras. For the most versatile functionality you need to purchase the Canon EU-V2 Expansion Unit: This gives you two audio controls on the operator’s side as well as two additional channels to record audio. This is something Canon should have done years ago. I have the c300 mark III on preorder. Also, if you have multiple accessories it’s a good way to power them as well. Well, why not put them on the back of the camera? The actual sensor size is 38.1 x 20.1 mm with an image circle of 43.1 mm. The good news (or bad news, depending on how you look at it) is both cameras have the exact same ergonomics in terms of buttons and dials: Those who are purchasing either camera are probably mainly into documentaries, corporate videos, commercials, high-end weddings and maybe the occasional short or feature work. The Remote Controller RC-V100 provides extensive wired remote functionality. High frame rate recording is supported up to 168 fps using the 10-bit 422 flavor combined with the 2K centre crop. Use compatible B4 mount broadcast lenses on EF mount or PL mount camera, allowing the user to capture Full HD footage (in crop mode). The EOS C500 never really took off and was not a commercial success for Canon. In the other corner, weighing 6 lbs. Sony has done the same thing, although Sony is in the prime position where they can afford to do that. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Not only does it add to the cost of the camera, but also the time to work with RAW in post, and the cost of additional storage and processing power. -9 to +9 (Daylight and Tungsten only), Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates). Ethernet connector (RJ45) (supports 1000 BASE-T), Yes. What is interesting about the EOS C500 Mark II, is that the camera is now in a price category that has been rapidly dissolving.

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